Blake Little is an award winning photographer based in LA. He has photographed for celebrities and big clients alike, but none of them are as interesting as his recent “Preservation” series. I found his work through his recent Juxtapoz short article … Continue reading
Jeff Simpson is an illustrator currently working for Eidos Montreal. He has worked quite a few times with Imagine FX magazine, doing covers, lectures, and tutorials. His work is really phenomenal in how it blends the illustrative and Fine Art world – his style is sometimes reminiscent of Phil Hale and Rick Berry, with their intense brushwork and color usage. There is a stylistic line between his personal work and freelance work, but both are equally skilled. I really commend people who are able to still be so prolific in-between working hours, personal life and other events and still find time to draw for themselves. But, you don’t get this good by sitting back and waiting for inspiration to strike.
I personally like his abstract portraits the best. Of course his concept work and character designs are rad, but nothing tickles my fancy more than an artist using digital skills in traditional mediums – his oil paintings (though they are ‘spruced up’, it seems, in Photoshop) have the same thought process and technique as his digital paintings do, and vice versa. His digital work has an authenticity that can only stem from his traditional work. His work never underestimates the ability of the user’s eye – his work is perfectly balanced in detail, knowing full well that the human eye can only see so much at once. His pieces aren’t over worked, but instead focus nicely on compositional elements that really bring beauty to the audience’s eyes without getting tired. It bothers me sometimes when artists treat the entirety of their pieces with the same amount of rendering and detail. Simpson never makes that mistake.